She doesn’t look bad but doesn’t look like it’s really her.Īll in all, this is a splash art that goes for effect and it succeeds. Strangely, her face doesn’t look like Miss Fortune much.
Her flowing hair framing a smug yet satisfied visage adds the necessary dose of charm to her portrayal. What is visible is enough to get a general idea of her look which the revolvers certainly help even if the left one looks quite sketchy. For example, her legs and arms are largely invisible. A disadvantage of the perspective is that it doesn’t give a good look of Miss Fortune’s whole body. In other words, it may not convince as proper optics but the focused and out of focus elements are reasonably displayed. The use of blurs is rather sensible even if a bit arbitrary. While lines are clean and shading is soft there’s a subtle rough feel to the colours that suits the hard life of the Wild West. Miss Fortune is the star and the perspective makes it clear that, again, she got her man. The setting is lacklustre and there’s little that can be gathered. Some dirt, some wanted posters, some wooden buildings, more than a few birds and lots of sky at noon it seems. Major model changes for Miss Fortune and new model for her guns. Miss Fortune suggestively dressed as a cowgirl and wielding huge revolvers.
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